Terror Train is a 1980 slasher film directed by Roger Spottiswoode — in his directorial debut — written by Thomas Y. Drake, and starring Jamie Lee Curtis, Ben Johnson, Hart Bochner, Timothy Webber, Anthony Sherwood, Vanity and David Copperfield. The film follows a group of pre-medical school students holding a New Year's Eve costume party on a vintage excursion train who are targeted by a killer who dons their costumes.
The concept for the film was based on an idea by executive producer Daniel Grodnik, who sought to make a movie inspired by Halloween (1978) set on a train. A full-length script for the film was composed by T. Y. Drake, and production began within four months. The film was shot in Montreal between late November and late December 1979, shortly after Curtis had completed filming for Prom Night (1980). Terror Train had to have a primarily Canadian cast and crew to qualify for a tax credit.
An independently produced film, Terror Train was purchased for distribution by the major studio 20th Century Fox, which had yet to release a slasher film; the studio spent an estimated $5 million on an expansive marketing campaign for the film. It was released theatrically in the United States on October 3, 1980, grossing $8 million during its theatrical run. The film's gross disappointed 20th Century Fox, falling short of their expectations for $40–50 million. Writer David Grove attributed the movie's box office performance to an oversaturation of the slasher film market.
Terror Train garnered a mixed reception, with several reviewers considering it an above-average example of its subgenre. Critics noted the film's themes of revenge, illusion, and Gender bender. Terror Train became a cult film, inspiring a remake in 2022, which was followed by a sequel that same year.
Three years later, members of the same fraternities and sororities hold a New Year's Eve costume party aboard a train. Attendees include Alana, her best friend Mitchy, her boyfriend Mo, class clown Ed, prank ringleader Doc, and Jackson, along with a magician and his female assistant hired to entertain the students.
Ed is murdered before boarding, and the killer dons his Groucho Marx mask to move among the students unnoticed. As the train travels into the wilderness, he continues his killings: Jackson is murdered in the sleeping car bathroom, and when conductor Carne investigates, the killer conceals the body and dons Jackson's lizard costume, fooling brakeman Charlie. Mitchy is killed in her compartment, Mo is found dead during a magic show, and two crew members are later discovered murdered. Carne sequesters the students while porters uncover yet another corpse. Pulling the emergency brake throws everyone off balance, and the porters escort the students off, many thinking it is another of Doc's stunts.
Alana suspects Kenny and recalls visiting him at the hospital, learning of his disturbed state. Doc seals himself in a sleeper car but is decapitation, and Alana mistakes the magician for Kenny. Pursued through the train, she discovers the magician dead and finds Kenny, dressed in Charlie's uniform, revealing that he has been posing in drag as the magician's female assistant.
Alana apologizes for the original prank, but Kenny refuses to forgive her and forces her to kiss him. The kiss triggers a traumatic relapse, leaving him vulnerable. Carne arrives and beats Kenny with a shovel, causing him to fall from the train into an icy river as it speeds away.
The film was the first motion picture directed by Roger Spottiswoode (a former editor for Sam Peckinpah), who was hired to direct the film by Howard on the condition that he also edit it. Anne Henderson was later brought in to edit. Because it was made under a Canadian tax shelter, Daniel Grodnik was appointed executive producer, as he was legally unable to serve as a primary producer. The film became one of the first American-Canadian co-productions ever.
There was no stage show magician in the original script, but producer Howard was a fan of magic tricks and illusions, so a magician character was written in. Prior to pre-production, the film's title changed from Terrible Train to Switchback to Train to Terror to Terror Train.
Curtis completed filming another slasher film, Paul Lynch's Prom Night (1980), which she filmed in Toronto, shortly before filming for Terror Train began. She felt Alana was similar to the character she played in Prom Night, but stronger and more sophisticated. Curtis hoped she could add depth to the character. She didn't see Terror Train as too derivative of Halloween and liked its train setting, though she preferred the title Switchback to the "gimmicky" Terror Train.
Veteran actor Ben Johnson was cast as Carne, the train conductor, whom Grodnik said was "amused" to have been in a horror film amongst such a young cast. He took the role out of fondness for Spottiswoode, whom he had worked with on The Getaway (1972), with the caveat that some vulgar words be removed from the film's script. The majority of the supporting cast was made of Canadian actors, including Hart Bochner, Sandee Currie and Anthony Sherwood. The film included a number of untrained actors, including Derek MacKinnon in the role of the villain, as well as illusionist David Copperfield as the Magician, and singer Vanity as one of the partygoers. Vanity was credited under the name D.D. Winters.
Howard, a fan of magic tricks, approached Copperfield to be in the film. By that point, Copperfield had appeared in two successful network television specials and wanted to begin an acting career. He agreed to be in Terror Train, though he was nervous to make his debut in a feature film. The casting of three mid-level celebrities—Curtis, Johnson, and Copperfield—was unheard of for a slasher movie of that time period.
MacKinnon, a local cross-dressing performer, was cast as Kenny, the movie's killer. He knew little about movies or Curtis when he tried out for the role, but his audition was welcome because of his background in drag queen. In his recollection, the actors were not told about the film's story or Curtis' involvement while they auditioned. During the audition, Spottiswoode called MacKinnon "a sissy" and "a faggot" in order to anger him. When MacKinnon got angry, Spottiswoode was pleased, feeling that MacKinnon's anger displayed what was necessary for the role of Kenny. MacKinnon was not sure how to respond to that treatment, as he had never made a film before.
The interior train sequences posed numerous obstacles for the crew, specifically cinematographer John Alcott, who devised a unique method of lighting Terror Train given the limited space and scant natural lighting of the sets: he rewired the entire train and mounted individual dimmers on the exteriors of the carriage cars. Using a variety of bulbs with different wattages, and controlling them with the external dimmers, Alcott could light the set in a very fast, efficient manner. At times, Alcott also used medical lights (pen torches) to hand light the actors' faces, as well as Christmas lights. To capture some of the film's footage, Alcott used a small lens he had previously used while shooting Barry Lyndon (1975). To achieve the rocking motion of a real train on film, a crew was appointed to push on each side of the stationary train car in order for the interior sequences to appear as though they were taking place on a moving train.
Taking a cue from director John Ford, Ben Johnson originally asked director Spottiswoode to give his character Carne less dialogue in Terror Train, rather than more. Curtis had the idea that Alana should kiss Kenny to add tenderness to the film: "All during filming, I was looking for ways to make my character more interesting but there weren't many opportunities because most of the film was about the action and the killer".
MacKinnon's involvement in the project was kept secret so as not to spoil the film's transsexual twist. To flesh out his character, MacKinnon came up with a backstory for Kenny where he killed his mother while backing out of his driveway. Spottiswoode had MacKinnon take boxing lessons so he would develop an angry and aggressive personality for Terror Train. MacKinnon butted heads with director Spottiswoode during the shoot, which Spottiswoode claimed was a result of his inexperience: "He wasn't an actor. He was a Transvestism from the streets of Montreal, and he wasn't familiar with the concepts of a contract and showing up for work on time. In a strange way though he did a pretty good job. He was familiar with that world of cheap theater and was strangely effective".
Film scholar John Kenneth Muir notes, the film's central organizing principle is "magic, or the often undetectable gulf between reality and illusion.... In other words, characters live and die in Terror Train based, in large part, on how they perceive the reality or non-reality around them". Muir adds: "If the would-be victims can see through the illusion, they tend to survive. If they can't do so, they die. It's as simple that, but this approach makes Terror Train a more complex and layered film than the average slasher picture". Zachary Paul of Bloody Disgusting said Terror Train makes it clear from the beginning that Kenny is the killer. However, the film misleads the audience into thinking The Magician could be Kenny after achieving a more muscular physique. On the other hand, Ebert felt it is not initially clear whether the killer is Kenny or another one of the passengers.
In Dead Funny: The Humor of American Horror, David Gillota contextualized Terror Train as one of many horror films with "queer coding or cross-dressing" monsters. Gillota cites The Devil-Doll (1936), Psycho (1960), Homicidal (1961), The Texas Chain Saw Massacre (1974), Dressed to Kill (1980), Sleepaway Camp (1983), The Silence of the Lambs (1991), and (2013) as other examples. Gillota said all these films could be interpreted as transphobia. He wrote, "The image of a knife-wielding Gender variance (usually a man in a wig and a dress) is remarkably common in horror and may simply reinforce the widespread demonization of transgender individuals." Gillota said films with this trope usually predate conversations about transgender identity becoming widespread and mainstream. Paul of Bloody Disgusting said the twist from Psycho inspired other horror films with Gender bender reveals. He criticized Terror Train and similar films for equating with derangement but noted the makers of these films didn't intend to offend anyone. Paul added gender reveal twists in slasher films are likely going out of style, and that's a good thing.
In Jamie Lee Curtis: Scream Queen, David Grove connected Terror Train "transsexual theme" to contemporary tabloid rumours that Curtis was an intersex individual born with male and female genitalia. Grove said the rumor originated from Curtis' nature. Grove argues that Curtis' character displays a masculine sexuality following her kiss with Kenny, after which she acts like a savage animal concerned only with survival.
Shout! Factory released a collector's edition Blu-ray and DVD combo-pack under their Scream Factory label on October 16, 2012. Scorpion Releasing released a new limited edition Blu-ray edition on July 22, 2019, exclusively through Ronin Flix. Scorpion released a general retail Blu-ray edition of the film on April 7, 2020, in association with Kino Lorber.
In the UK, 88 Films released a limited-edition Blu-ray on November 4, 2019, with a new HD transfer plus extra bonus content.
A review in the Los Angeles Times praised the film's atmosphere and characterized it as scary. Richard Corliss of Time also praised the film's style, calling it "sleek and eerie". Bill Kelley of the Fort Lauderdale News was critical of the film's illogical plot developments and clichés, but ultimately deemed it "a respectable (if that's the word) exploitation movie". Jacqi Tully of the Arizona Daily Star wrote a similarly favourable review of the film, praising it for its pacing, setting, performances, and Copperfield's magic tricks. Writing for the Statesman Journal, Ron Cowan commended the cinematography and noted that although the film started poorly, it had some thrills near its end.
At the 8th Saturn Awards, Terror Train was nominated for Best International Film, losing to Scanners (1981), while Curtis was nominated for Best Actress, losing to Angie Dickinson for Dressed to Kill. At the 2nd Genie Awards, Terror Train was nominated for Best Achievement in Art Direction (Glenn Bydwell), Best Achievement in Overall Sound (David Appleby and Bo Harwood), and Best Music Score (John Mills-Cockell).
Paul Lê of Bloody Disgusting wrote Terror Train is an imperfect film with dull murder sequences. However, he felt the film's strengths outweighed its flaws, praising Copperfield's role. Film scholar Adam Rockoff praised the film for being stylish and atmospheric. Horror fiction scholar John Kenneth Muir also praised the film in his book Horror Films of the 1980s: "The thrill of a picture like Terror Train is the shrewd manner in which it plays against audience expectations; the sense that the slasher film paradigm gives it parameters which it can then undercut, subvert, and if needs be, violate". Zachary Paul of Bloody Disgusting said Terror Train is not as acclaimed as other slasher films starring Curtis, but deemed it a personal favourite. Paul praised the film's suspenseful third act and twist ending, adding that slasher fans should seek out the movie. Patrick Fogerty of Collider deemed Terror Train the most fun and subversive 1980s teen slasher movie. He praised it for having intelligent characters, as well as the Multiculturalism casting of Sherwood and Vanity. Terror Train is considered a cult film.
On the review aggregator website Rotten Tomatoes, Terror Train holds a 47% approval rating based on 17 critic reviews, with an average rating of 5.1/10.
A remake of Terror Train, set on Halloween, was produced by Tubi and Canadian company Incendo Productions. It was also shot in Montreal and was released on Tubi's streaming platform on October 21, 2022. The film was produced by Graham Ludlow and Kaleigh Kavanagh, directed by Philippe Gagnon, and written by Ian Carpenter and Aaron Martin. Included in the cast are Robyn Alomar as Alana, Tim Rozon as the magician, and Mary Walsh as Carne. According to Lê of Bloody Disgusting, Terror Train (2022) is very faithful to the original film, reusing many of the same situations, costumes, and character names, though the later film is more violent. The remake debuted at No. 1 on Tubi and became the platform's most popular title on Halloween 2022. The remake scored 8% on review aggregator Rotten Tomatoes, based on 12 reviews. Lê felt Terror Train (2022) is suitable only for audiences unfamiliar with the original.
The sequel, Terror Train 2, was released on December 31, 2022, also on Tubi. The sequel revolves around characters from Terror Train (2022) having to survive another ride on the same locomotive. Terror Train 2 was also directed by Gagnon and also stars Alomar.
Casting
Set construction
Filming
Themes
Release
Home media
Reception
Box office
Critical response
Contemporary
Retrospective
Remake
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